廚川白村《出了象牙之塔》金溟若譯 (博客來網站缺)，台北：志文，1967/1981/1987，新潮文庫 8

目次
作者原序

出了象牙之塔

一自我表現
二 Essay
三 Essay與新聞雜誌
四缺陷的美
五詩人布朗寧
六近代的文藝
七聰明人
八傻子
九微溫的人生 (魯迅：現今的日本 )
十缺 (魯迅：俄羅斯 ) 十一鄉下人 (魯迅：村紳的日本呀 ) 十二生命力
十三思想生活
十四改造與國民性
十五詩三篇
十六尚早論

觀感享樂的生活

一報紙的三版記事 (魯迅：社會新聞 )
二觀感也者 (魯迅：觀照云者 )
三享樂主義
四人生的享樂
五藝術的生活
(魯迅：附︰譯者附記 )

缺 (移後)

(魯迅：從靈向肉和從肉向靈
附︰譯者附記 )

藝術的表現

缺

(魯迅：游戲論
描寫勞動問題的文學
一問題文藝
二英吉利文學
三近代文學，特是小說
四描寫同盟罷工的戲曲 )

漫畫在藝術上 (魯迅：為藝術的漫畫 )

一對藝術的沒理解
二漫畫式的表現
三漫畫在藝術史上的
四現代的漫畫
五漫畫的鑒賞

魯威落的漫畫 (魯迅：缺 )

瓦洛吞的漫畫 (魯迅：缺 )

Félix Vallotton was a Swiss-born French painter and printmaker known for his precise use of line and exacting forms. In his depictions of sensuous nudes, stage-like interiors, and landscapes at sunset, Vallotton conjured a sense that something mysterious lay beneath his scenes. “I think I paint for people who are level-headed but who have an unspoken vice deep inside them,” he once remarked. “I actually like this state which I share.” Born Félix Edouard Vallotton on December 28, 1865 in Lausanne, Switzerland, in 1882 he moved to Paris, where he studied under Jules Joseph Lefebvre at the Académie Julian. Initially producing portraits grounded in the academic tradition, Vallotton was inspired by works he observed at the Louvre, by Hans Holbein, Jean-Auguste-Dominique Ingres, and Albrecht Dürer. A decade later in 1892, Vallotton had become a part of the milieu of artists known as Les Nabis, which included Pierre Bonnard, Maurice Denis, and Édouard Vuillard. The ideas espoused by the Nabis coincided with Vallotton’s own interests, as he had already begun producing wood cuts inspired by the flat colors and silhouetted forms of Japanese ukiyo-e prints. From 1910 onward, his works had become increasingly stylized, with tightly outlined forms and naturalistic colors. Vallotton died at age of 60 on December 29, 1925 in Paris, France. Today, his works are held in the collections of the National Gallery of Art in Washington, D.C., the Musée d’Orsay in Paris, the Tate Gallery in London, and the Hermitage Museum in St. Petersburg, among others.