Friday, December 19, 2025

新潮世界名著 47 《戴洛維夫人》/《達洛維夫人》Mrs. Dalloway 伍爾夫並未告訴我們該作何感受;她讓我們進入人物的內心世界,感受他們的猶豫、悔恨和轉瞬即逝的喜悅。一個聲音、一種氣味、一張掠過的臉龐,都能觸發一陣情感的波瀾,提醒我們人類意識的交織是多麼精妙。伍爾夫認為,人生並非一條直線,而是一張由瞬間、情感和印象交織而成的網,它們同時存在於人的心中。 。新潮世 界名著 47 Mrs Dalloway By Virginia Woolf 航向燈塔

 

新潮世界名著 47  《戴洛維夫人》/《達洛維夫人》Mrs. Dalloway 伍爾夫並未告訴我們該作何感受;她讓我們進入人物的內心世界,感受他們的猶豫、悔恨和轉瞬即逝的喜悅。一個聲音、一種氣味、一張掠過的臉龐,都能觸發一陣情感的波瀾,提醒我們人類意識的交織是多麼精妙。伍爾夫認為,人生並非一條直線,而是一張由瞬間、情感和印象交織而成的網,它們同時存在於人的心中。 。新潮世  界名著 47  Mrs Dalloway By Virginia Woolf     航向燈塔

Mrs Dalloway By Virginia Woolf 此書中文本多種。;THE NARROW CORNER by W. Somerset Maugham
Mrs Dalloway By Virginia Woolf 此書中文本多種
新潮世 界名著 47 戴洛維夫人 航向燈塔
。;THE NARROW CORNER by W. Somerset Maugham
Mrs Dalloway By Virginia Woolf

http://gutenberg.net.au/ebooks02/0200991.txt



孤獨意味精神輕盈。人一旦控制欲、嫉妒、幻想,佈滿心房,人際關係自然錯亂,甚至情場落空。英國小說家吳爾芙《戴洛維夫人》(Mrs Dalloway),是一部深入刻畫愛情的小說。女主克拉麗薩婚前,結識彼得,兩人陷入熱戀之際,男友卻時時掌控,事事干涉,讓她喘不過去。後來,選擇嫁給李查 · 戴洛維,因為先生能夠讓她在婚姻中保留一點自由。戴洛維夫人甘於孤獨,也是樂於享受自由。換言之,孤獨是使人保有更大的自由。








Jacket design by Vanessa Bell
Author Virginia Woolf
Country United Kingdom
Language English
Publisher Hogarth Press

Publication date



《達洛維夫人》這部小說並沒有以宏大的事件或戲劇性的轉折來宣告自己的存在,卻悄然潛入讀者的腦海,久久縈繞,如同夏日午後縈繞的思緒。維吉尼亞·伍爾夫將倫敦一個平凡的日子,昇華為對生命、記憶、時間以及人們內心深處隱密情感世界的深刻探索。乍看之下,故事似乎很簡單:克拉麗莎·達洛維出門去買花,準備晚上舉辦的宴會。但在這份看似簡單的表象之下,卻隱藏著一個豐富而複雜的內心世界,過去與現在如同呼吸般自然地交融。


這部小說最引人注目之處在於伍爾夫對時間的處理。時鐘上的時間穩定向前,由大笨鐘的鐘聲標示;而心理時間自由流動,在回憶中回溯,在反思中前進。克拉麗莎漫步在街頭,喚醒了她對青春、愛情以及那些已做和未做的選擇的回憶。這些記憶並非只是背景,它們鮮活地存在著,塑造著她當下的自我。伍爾夫認為,人生並非一條直線,而是一張由瞬間、情感和印象交織而成的網,它們同時存在於人的心中。


克拉麗莎本身就是一個令人動容的人物,並非因為她經歷了什麼驚天動地的苦難,而是因為她對生命脆弱的敏銳感知。她外表自信優雅,舉止得體,但內心常常感到一種難以言喻的空虛。她對老化、對錯失良機以及對幸福本質的思考,都帶著一絲淡淡的憂傷。伍爾夫的過人之處在於,她將這種內心的躁動賦予了普遍性。克拉麗莎的思緒,正是許多人隱藏在禮貌微笑和日常瑣事背後的那些私密疑慮和渴望的迴響。


與克拉麗莎的故事並行展開的是塞普蒂默斯·沃倫·史密斯的故事,他是一位飽受戰爭創傷的老兵。他的出現賦予了這部小說最強烈的感染力。塞普提默斯被第一次世界大戰的恐怖所困擾,無法重新融入正常生活。克拉麗莎在社交圈中游刃有餘,而塞普蒂默斯卻被邊緣化,被那些重視循規蹈矩而非同情心的醫生們誤解和忽視。伍爾夫藉著塞普提默斯之口,對這個未能傾聽痛苦心靈的社會進行了強而有力的批判。他內心世界強烈而破碎,與戰後英國平靜的表面形成鮮明對比,揭示了情感壓抑的代價。


克拉麗莎和塞普蒂默斯之間的聯繫微妙而深刻。他們素未謀面,卻在精神上彼此相連。兩人都對生命極為敏感,都飽受孤獨的折磨,也都感到不堪重負,難以承受循規蹈矩的壓力。克拉麗莎選擇了生命,她透過參加聚會和與他人的交往擁抱生命;而塞普蒂默斯卻無法找到理解,最終選擇了死亡。當克拉麗莎得知他的自殺時,她感到一種奇特的親近感,彷彿他的行為表達了她自己內心深處某種感受卻從未言明的東西。在這一刻,伍爾夫暗示,喜悅與絕望、生與死,比我們通常認為的更為接近。


《達洛維夫人》中的情感靜謐而濃烈。伍爾夫並未告訴我們該作何感受;她讓我們進入人物的內心世界,感受他們的猶豫、悔恨和轉瞬即逝的喜悅。一個聲音、一種氣味、一張掠過的臉龐,都能觸發一陣情感的波瀾,提醒我們人類意識的交織是多麼精妙。小說捕捉了平凡瞬間的美麗——城市漫步、一個難忘的吻、一次眼神的交匯——並展現了這些瞬間如何賦予生命意義。


最終,《達洛維夫人》講述的並非僅僅是一個女人、一場聚會,甚至並非只是某一天的故事。它講述的是在這樣一個常常鼓勵情感麻木的世界裡,勇敢地活在覺知之中,去感受深刻的情感。伍爾夫邀請讀者駐足,探尋日常生活表象之下的深層意義,去體悟那些定義人性的無聲掙扎和靜謐的勝利。小說的結尾並非一個結局,而是一種感受——一種生命仍在延續的感覺,脆弱而珍貴,在合上最後一頁之後,依然久久迴盪。

Mrs. Dalloway is a novel that does not announce itself with grand events or dramatic turns, yet it quietly enters the reader’s mind and stays there, like a lingering thought on a summer afternoon. Virginia Woolf takes a single ordinary day in London and transforms it into a profound exploration of life, memory, time, and the hidden emotional worlds people carry within them. At first glance, the story seems simple: Clarissa Dalloway steps out to buy flowers for a party she is hosting that evening. But beneath this simplicity lies a rich and complex inner universe, where past and present flow into each other as naturally as breath.
What makes the novel remarkable is Woolf’s treatment of time. Clock time moves steadily forward, marked by the tolling of Big Ben, yet psychological time moves freely, slipping backward into memory and forward into reflection. Clarissa’s walk through the streets awakens recollections of her youth, of love, of choices made and unmade. These memories are not mere background; they are alive, shaping her present self. Woolf suggests that a human life is not a straight line but a web of moments, emotions, and impressions, all existing at once in the mind.
Clarissa herself is a deeply moving figure, not because of any dramatic suffering, but because of her quiet awareness of life’s fragility. She appears confident and socially graceful, yet she often feels an emptiness she cannot easily name. Her reflections on aging, on missed possibilities, and on the nature of happiness carry a gentle sadness. Woolf’s genius lies in making this inner restlessness feel universal. Clarissa’s thoughts echo the private doubts and longings that many people hide behind polite smiles and everyday routines.
Running parallel to Clarissa’s story is that of Septimus Warren Smith, a traumatized war veteran. His presence gives the novel its sharpest emotional edge. Septimus is haunted by the horrors of the First World War, unable to reintegrate into ordinary life. While Clarissa moves through society, Septimus is pushed to its margins, misunderstood and dismissed by doctors who value conformity over compassion. Through him, Woolf offers a powerful critique of a society that fails to listen to suffering minds. His inner world, intense and fractured, stands in stark contrast to the calm surface of postwar England, revealing the cost of emotional repression.
The connection between Clarissa and Septimus is subtle yet profound. They never meet, yet they are spiritually linked. Both are deeply sensitive to life, both struggle with isolation, and both feel overwhelmed by the pressure to conform. Clarissa chooses life, embracing it through her party and her connections with others, while Septimus, unable to find understanding, chooses death. When Clarissa learns of his suicide, she feels a strange sense of kinship, as if his act has expressed something she herself has felt but never articulated. In this moment, Woolf suggests that joy and despair, life and death, are closer than we often admit.
Emotion in Mrs. Dalloway is quiet but intense. Woolf does not tell us what to feel; she allows us to inhabit her characters’ minds, to feel their hesitations, regrets, and fleeting joys. A sound, a scent, or a passing face can trigger a wave of feeling, reminding us how delicately human consciousness is woven. The novel captures the beauty of ordinary moments—a walk in the city, a remembered kiss, a shared glance—and shows how these moments give life its meaning.
In the end, Mrs. Dalloway is not simply about a woman or a party or even a single day. It is about the courage to live with awareness, to feel deeply in a world that often encourages emotional numbness. Woolf invites the reader to pause, to look beneath the surface of everyday life, and to recognize the silent struggles and quiet triumphs that define being human. The novel closes not with resolution, but with a feeling—a sense of life continuing, fragile yet precious, echoing long after the final page is turned.


----
William Somerset Maugham was born in the UK Embassy, Paris, France on this day in 1874.
“Life is short, nature is hostile, and man is ridiculous; but oddly enough most misfortunes have their compensations, and with a certain humour and a good deal of horse-sense one can make a fairly good job of what is after all a matter of very small consequence.”
―from THE NARROW CORNER by W. Somerset Maugham

Filled with adventure, passion, and intrigue, THE NARROW CORNER is a classic tale of the sea by one of the twentieth-century’s finest writers. Island hoping across the South Pacific, the esteemed Dr. Saunders is offered passage by Captain Nichols and his companion Fred Blake, two men who appear unsavory, yet any means of transportation is hard to resist. The trip turns turbulent, however, when a vicious storm forces them to seek shelter on the remote island of Kanda. There these three men fall under the spell of the sultry and stunningly beautiful Louise, and their story spirals into a wicked tale of love, murder, jealousy, and suicide.

~~~~

此書中文本多種。



"Rigid, the skeleton of habit alone upholds the human frame."
―from MRS. DALLOWAY (1925)

MRS. DALLOWAY chronicles a June day in the life of Clarissa Dalloway–a day that is taken up with running minor errands in preparation for a party and that is punctuated, toward the end, by the suicide of a young man she has never met. In giving an apparently ordinary day such immense resonance and significance–infusing it with the elemental conflict between death and life–Virginia Woolf triumphantly discovers her distinctive style as a novelist. Originally published in 1925, MRS. DALLOWAY is Woolf’s first complete rendering of what she described as the “luminous envelope” of consciousness: a dazzling display of the mind’s inside as it plays over the brilliant surface and darker depths of reality. This edition uses the text of the original British publication of MRS. DALLOWAY, which includes changes Woolf made that never appeared in the first or subsequent American editions. READ an excerpt here:http://www.penguinrandomhouse.com/…/mrs-dalloway-by-virgin…/


Virginia Woolf

In Mrs Dalloway, Woolf writes a novel in which the upper-middle class 'is living on borrowed time. Its values … are under attack … the empire was crumbling fast’. The British Library


Exploring consciousness and the modern: an introduction to Mrs Dalloway


Topic:-
"Mrs. Dalloway" by Virginia Woolf.
1) Introduction:-
"Mrs. Dalloway" is a novel written by Virginia Woolf, first published in 1925. Set in post-World War I London, the story unfolds over a single day as Clarissa Dalloway, an upper-class woman, prepares for a party she will host in the evening. The novel explores themes of time, memory, societal expectations, and the inner lives of its characters through a stream-of-consciousness narrative style. Woolf's innovative approach to storytelling and her insightful exploration of the human psyche make "Mrs. Dalloway" a significant work in modernist literature.
2) Summary:-
"Mrs. Dalloway" takes place in London during a single day in June 1923. The central character, Clarissa Dalloway, is a high-society woman who is preparing for a party she will host in the evening. The narrative unfolds through the perspectives of various characters, employing a stream-of-consciousness style that delves into their inner thoughts and memories.
As Clarissa goes about her day, we learn about her past, including a significant love affair with Peter Walsh. Meanwhile, Septimus Warren Smith, a shell-shocked veteran of World War I, grapples with mental health issues and becomes a parallel character to Clarissa. The novel weaves through different characters and their connections, revealing the complexities of their lives and relationships.
Woolf's narrative technique allows readers to explore the characters' internal monologues, emphasizing the passage of time and the interconnectedness of lives. The novel captures the social and cultural atmosphere of post-war London while offering profound insights into the characters' emotions and struggles. "Mrs. Dalloway" is a masterful exploration of human consciousness and the impact of societal norms on individual lives.
3) Critical analysis :-
"Mrs. Dalloway" is celebrated for its innovative narrative techniques and profound exploration of the human psyche. Virginia Woolf employs a stream-of-consciousness style, allowing readers access to the inner thoughts and perceptions of her characters. This technique not only captures the immediacy of experience but also blurs the boundaries between past and present, highlighting the fluidity of human consciousness.
One notable aspect is Woolf's depiction of time. The novel unfolds in a single day, yet time is treated as a subjective and malleable element. The characters' memories and reflections shape their present experiences, illustrating the interconnectedness of past and present. This temporal fluidity is a hallmark of modernist literature and mirrors the characters' attempts to reconcile their pasts with their current realities.
Woolf also explores the societal expectations imposed on individuals, particularly women in post-World War I England. Clarissa Dalloway, as a representative of the upper class, grapples with the constraints of social norms and the expectations placed upon her. The novel subtly critiques the rigid gender roles of the time and examines the impact of societal expectations on personal identity.
Septimus Warren Smith's character adds another layer to the novel's critique. As a war veteran suffering from mental trauma, Septimus serves as a symbol of the psychological toll of war. His story intertwines with Clarissa's, offering a contrasting perspective on societal expectations and mental health. Woolf skillfully addresses the consequences of a society that enforces conformity and the toll it takes on individuals who deviate from the norm.
"Mrs. Dalloway" stands as a quintessential work of modernist literature, challenging conventional narrative structures and offering a nuanced exploration of the human experience. Woolf's profound insights into consciousness, time, and societal constraints contribute to the novel's enduring significance in the literary canon.

Virginia Woolf's iconic novel, Mrs. Dalloway, is a masterful exploration of the human experience, delving into the intricacies of time, identity, and the complexities of the human psyche. Published in 1925, this modernist masterpiece continues to captivate readers with its lyrical prose, nuanced characterization, and profound insights into the human condition.
The novel follows Clarissa Dalloway as she prepares to host a party in the evening, while Septimus Warren Smith, a shell-shocked veteran of World War I, grapples with the traumas of his past. Through these two characters, Woolf skillfully weaves together themes of identity, morality, and the search for meaning in a post-war world.
One of the novel's most striking features is its innovative narrative structure. Woolf employs a fluid, stream-of-consciousness style, seamlessly shifting between the inner lives of her characters. This technique creates a sense of intimacy and immediacy, drawing the reader into the innermost thoughts and feelings of the characters.
Through Clarissa and Septimus, Woolf poses profound questions about the nature of identity, the impact of societal expectations, and the fragility of human life. Clarissa's preparations for her party serve as a metaphor for the construction of identity, while Septimus's struggles with shell shock illuminate the devastating consequences of trauma.
Mrs. Dalloway is a masterpiece of modernist literature, offering a profound and deeply moving exploration of the human experience. Woolf's innovative narrative structure, lyrical prose, and nuanced characterization have created a work of enduring beauty and significance. This novel is a must-read for anyone interested in exploring the complexities of the human condition.
Mrs. Dalloway is a novel that rewards close reading and reflection. It is best suited for readers who appreciate literary fiction, modernist experimentation, and philosophical introspection.
You can get the audio book for FREE using the link. Use the link to register for the audio book on Audible and start enjoying it.
未提供相片說明。

BL.UK

Sunday, November 23, 2025

【追書時報30 】梁國淦2次談各版本賈西亞馬奎斯《百年孤寂》(含志文出版社的楊耐冬版及其他),延伸談"敏隆講堂的百年孤寂十講" 及其他 (如果川普真的要認清普丁.......萬城目學的《八月的御所球場》。.) 唐納德·川普是150多年來首位在任期間白宮沒有寵物的美國總統。他明確表示自己沒有時間照顧寵物,並認為出於政治目的養狗是「虛偽的」。

 《經濟學人》近一年重複提醒俄羅斯在侵略烏克蘭戰爭,死傷已逼百萬人.......

人工智慧概述


唐納德·川普是150多年來首位在任期間白宮沒有寵物的美國總統。他明確表示自己沒有時間照顧寵物,並認為出於政治目的養狗是「虛偽的」。


關於川普白宮沒有寵物的關鍵細節:


打破傳統:沒有寵物打破了白宮一項由來已久的傳統,這項傳統可以追溯到總統任期的早期。上一位沒有動物伴侶的總統是安德魯·約翰遜,他於1869年卸任。


給出的理由:川普在2019年於德州埃爾帕索舉行的集會上提到,雖然他不介意養狗,但他沒有時間妥善照顧。他也質疑自己在白宮草坪上遛狗的形象,暗示他覺得這樣做不合適。


個人立場:根據他的第一任妻子伊凡娜·川普的回憶錄,唐納德·川普「不喜歡狗」。他常用「狗」這個詞來侮辱政治對手或批評者。


副總統的寵物:川普一家在白宮沒有寵物,而副總統麥克·彭斯和他的家人在海軍天文台養了一群寵物,包括一隻名叫皮克爾的貓、一隻名叫哈雷的澳洲牧羊犬和一隻名叫馬龍·邦多的兔子。


政治對比:沒有寵物這一點引起了批評者的注意,並在2020年大選期間成為一個次要的政治話題,尤其與他的對手喬·拜登形成鮮明對比,拜登養了兩隻德國牧羊犬,分別叫尚普和梅傑。

Donald Trump was the 
first U.S. President in over 150 years to not have any pets in the White House during his term. He explicitly stated that he did not have time for a pet and felt that having a dog for political reasons would be "phony". 
Key details regarding the lack of pets in the Trump White House:
  • Breaking Tradition: The absence of a pet broke a long-standing White House tradition that dates back to the early days of the presidency. The last president without any animal companion was Andrew Johnson, who left office in 1869.
  • Reasons Given: Trump mentioned in a 2019 rally in El Paso, Texas, that while he wouldn't mind having a dog, he didn't have time to properly care for one. He also questioned how he would look walking a dog on the White House lawn, suggesting it would not feel right to him.
  • Personal Stance: According to his first wife, Ivana Trump's memoir, Donald Trump "was not a dog fan". He also frequently used the word "dog" as an insult when referring to political rivals or critics.
  • Vice Presidential Pets: While the Trump family had no pets in the White House, Vice President Mike Pence and his family had a small menagerie at the Naval Observatory, including a cat named Pickle, an Australian shepherd named Harley, and a rabbit named Marlon Bundo.
  • Political Contrast: The lack of a pet was noted by critics and became a minor political talking point during the 2020 election, especially in contrast to his opponent Joe Biden, who had two German Shepherds, Champ and Major. 


-------

敏隆講堂的百年孤寂十講,
雖然精采,
但是我的感受是
直接講書的本身的較少,
多數都是投射到講者自己熟悉的東西。
就像我總會盯著朱敬一院士有沒有講新的書,
但是其實看不太出來書本身講什麼,
他都是講他自己和自己的看法。
不是沒有價值,而是和直接講書的價值不同。
我想和大家分享一下第十三章的一段話。
採用的是楊耐冬版。
『她(易家蘭)體會出她的次子邦迪亞上校與她想像的不一樣,他不是因打多了仗而變成鐵石心腸,而是他從來就沒有愛過任何人,包括他的亡妻莫氏柯蒂,以及他那些數不清的一夜露水情人,他對兒子們也是這樣。她發現他打了那麼多仗,都不是出於理想;他放棄勝利,也不是像大家想像中那樣是出於厭倦與疲困,其實他對勝敗只有一個理由,那就是單純而邪裡邪氣的他的那份自尊心。她下個結論說:她願意犧牲性命來維護的兒子,只是一個無法付出愛心的人。』
我覺得如果川普真的要認清普丁,
應該要學習易家蘭對邦迪亞的看法。
他不是被打仗改變的,而是本來就鐵石心腸;
他不是為理念而戰,而是為他的自尊心而戰。
那麼川普就會知道,他的草案是讓普丁更想再戰。
如果歐美盟國違反了任何約定,
只有增加普丁實現自己自尊的正當性;
如果普丁為了自尊要撕毀這分和約,
制裁會再來、盟國會再手忙腳亂地討論如何應對。。。
但對普丁而言,情勢完全不會比今天差。
怎麼會想出這種讓普丁穩賺不賠的和約?
腦袋好一點就會把它丟到垃圾桶了。
只是那麼想一下,就足以讓中國把美國當草包了,
何況當真。
而我們一般人,
如果要思考支持誰不支持誰,
這段思考也很值得參考。
你不需要為別人狹隘的自尊
奉獻出你的心、力、名聲、和信用。
當你發現他不會兌現口中的理念,
也不會去愛任何和他同或不同路的人,
他只會為他的狂妄的自尊不擇手段時,
你還要替他揹鍋、為他的背骨而氣憤?
不要做這種事。
認清楚那種人;
可以不要接近就不要接近那種人;
如果不能不接近(易家蘭做不到遠離小邦迪亞),
也不要支持他那樣做。
在這本小說裡,在政治的投射上,
易家蘭是所有哥倫比亞的愛和維護著孩子的母親,
邦迪亞上校是所有為愚蠢的自尊而爭權奪利的狂人。
也許世上找不到真正為理念奮鬥的人,
或他們太低調太弱勢不容易被看到。
看不到、找不到,可以什麼人都不支持。
但不要去支持去打仗的邦迪亞上校那種人。

WWWW

以為今年都要在各版本的百年孤寂中度過了。
首先看的是小時候入手的楊耐冬的志文版。
許多年後,
當我再面對楊先生設定的一再輪迴的人名,
我便會想起年輕時一面臭罵,
一面假道學地看不下去的幼稚日子。
當那些因為人名而混亂的感覺再達一次新高峰,
我忍不住(一本書要買幾版啊?謝謝你喔!)
拿起正式授權繁中新譯版比對。
啊!敏隆講座中的講者們也走過和我一樣的路:
楊版一再輪迴但名同譯異的名字記不住,
新版詳盡冗長忠於原字的譯名
一樣記不住。
原來那就是賈西亞馬奎斯的詭計。
就是要你記不住,不然咧?
馬里翁的力學不是也這樣寫的嗎?
也因為翻看了新版,
對人名以外的問題頭更大了。
且看楊耐冬版的和新版的這一段
楊:
蒙卡達將軍站起來,用衣襟襬角擦拭他牛角鏡架的厚鏡片,「大概吧,」他說,「而我所憂心的不是你要槍斃我,因為,畢竟我們這種人被槍斃也算是自然死亡。」他把眼鏡放在床上,脫下手錶和鍊子,「我所憂心的,是你這麼恨軍方,拼命對抗他們,整天在為他們傷腦筋,到頭來你是跟他們一樣糟糕。人生的理想是不值得這樣卑鄙地去追求的。」


葉:
蒙卡達將軍支起身子,拿起襯衫下襬擦拭他那副玳瑁眼鏡框的厚鏡片。「或許吧。」他說。「可是我不擔心被你槍決,總之,像我這樣的人認為這只是一般的死亡。」他把眼鏡放到床上,拿下鏈錶。「我擔心的是,」他繼續說。「這樣憎恨軍人,這樣攻擊他們,這樣想著他們,最後你會變成跟他們一樣。人生沒有這樣值得人痛恨到底的事。」


直率點說,『人生沒有這樣值得人痛恨到底的事』,我不知道翻譯的「信」度有沒有比較好;但我揣測,『人生的理想是不值得這樣卑鄙地去追求的』,比較可能達意,也達義。
而『畢竟我們這種人被槍斃也算是自然死亡』,似乎也比『像我這樣的人認為這只是一般的死亡』像是馬康多男兒會說的話。
如果看完不同譯本,
可能就會有好幾個不同的馬奎斯,
在我書房哼唧著我不懂的西班牙文,
寫著我讀不懂的稿子。
順便比對宋碧雲阿姨版:
蒙卡達將軍站起來,用衣襬去擦他那角質鏡框的厚眼鏡。他說:「也許吧。不過我擔心的倒不是你要槍斃我---對我們這種人來說,槍斃等於是自然死亡。」他把眼鏡放在床上,脫下手錶和鍊子,繼續說:「我擔心的是,你這麼討厭軍方,拚命對抗他們,到頭來你已變成跟他們一樣糟糕了。人生的任何理想都不值得這樣卑鄙去追尋。」
三個版本看完的話,可能我的人生也扭曲了。
怎麼也沒想到,自己會沒骨氣地,
中途開始翻看了萬城目學的《八月的御所球場》。
過去萬城目的書都是量超所值的。
即使是短篇集《恆久神喜劇》或是《悟淨出立》
(啟發鼓舞我挑戰用短篇拼成長篇的高難度寫作)
也都收了很足量的文字。
但八月的御所球場是來騙錢的嗎?如此之短。
卻又奪下一座直木賞。
難道連日本文學獎評審的閱讀耐力也抖音化了嗎?
不過,啊!夾在百年的閱讀當中,
十二月的高校驛傳,或是八月的御所選手權,
都像一陣醒腦的輕風。
是時候。
重要的是,
哥倫比亞的鬼,和京都的鬼,在我心中交會了。
考慮萬城目的寫法,特別是《十二月的都大路緃貫記》,
鬼出現了,人看到了,再來呢?
再來沒有了。
這種不負責任的寫法,其實才是我對馬奎斯的理解。
馬奎斯說他看了卡夫卡的變形記,
忽然覺得他一定要把祖母講的故事寫出來。
我主觀地認為:
馬奎斯不是覺得心裡有一個構思布局,
要假借祖母的故事以魔幻寫實的手法呈現自己的構思;
而是:他覺得祖母的故事如果一一記下,
本身就具有完整的意象。
讓故事自己走下去,只要努力講得好,布局自然會出來。
萬城目讓新選組穿著一般人印象外的黑衣,
在驛傳時出來追殺一番之後,
剩下的故事,就交給千萬從小聽新選組故事的讀者
自己去想像。
他沒有去推一個萬城目版的故事,
卻變成了無限廣大的日本人共有又不同的故事。
但話說回來,馬奎斯是否也能像萬城目那樣寫?
從他在全世界受歡迎和重視的程度來看,
我反而覺得馬奎斯其實做不到萬城目的那種境界。
不是馬奎斯個人的境界不及萬城目的境界,
而是馬奎斯的魔幻的性質和東方的鬼不同。
再比較京極夏彥可能更為清楚。
單就推理界本身而言,可能很明顯地,
京極的特點在於直接挑戰
推理不能訴諸鬼神這件事。
但是,放在更寬的領域裡看,
我覺得京極是看穿了
理性主義抬頭之後,西方人是預設
鬼的世界是不講道理的,人才有理性;
但在悲慘的傳統東方,
反而是鬼的世界才講道理;
人的世界裡什麼不合理、不堪的事都可以發生。
他界的一切,都依循不二的道德標準
完善地運行著。
至少,地獄從來沒有一天不嚴格地執行著工作。
那麼,東方的推理為什麼不能訴諸東方的觀點:
只有訴諸鬼神的敘事,才能嚴謹地推理?
因此萬城目可以放著故事給讀者去想,
而讀者會欣賞。
因為他們知道京都的每一個神明、
每一個鬼,是代表什麼價值和什麼行為模式。
不會錯的。
但馬奎斯的鬼和馬奎斯的讀者
應該不行。
所以我們得要仰賴馬奎斯講給我們聽,
細細讀出他的鬼會怎麼走出下一步,
或怎麼輪迴。
馬奎斯看完(萬城目的八月也看完),
應該來看李豐楙老師的《神話的故鄉》
或搜神記了吧?大概。嗯嗯。
人何寥落。
人何墮落。