李幼鸚鵡鵪鶉
還有 HC 贈送的《原版《玉篇》殘卷》，這是中國中華書局影印民國初年購自日本的唐朝寫本。我傍晚也經過所謂"紀州庵" 他無法跟台南的臺灣文學館比
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| 圖／破報 |
His first notable work was a comedy short Chess Fever (1925) co-directed with Nikolai Shpikovsky. José Raúl Capablanca played a small part in it, with a number of other cameos presented. In 1926 he directed what would become one of the masterpieces of silent movies: Mother, where he developed several montage theories that would make him famous. Both movies featured Pudovkin's wife Anna Nikolaevna Zemtsova in supporting female parts (she left cinema shortly after).
Vsevolod Pudovkin | |
|---|---|
 Pudovkin in Italy in 1951 | |
| Born | Vsevolod Illarionovich Pudovkin 16 February 1893 |
| Died | 30 June 1953 (aged 60) |
| Occupation | Film director, screenwriter, actor |
| Years active | 1919–1953 |
Vsevolod Illarionovich Pudovkin (Russian: Всеволод Илларионович Пудовкин, IPA: [ˈfsʲevələt ɪlərʲɪˈonəvʲɪtɕ pʊˈdofkʲɪn]; 16 February 1893 – 30 June 1953)[1][2] was a Russian and Soviet film director, screenwriter and actor who developed influential theories of montage.[3] Pudovkin's masterpieces are often contrasted with those of his contemporary Sergei Eisenstein, but whereas Eisenstein utilized montage to glorify the power of the masses, Pudovkin preferred to concentrate on the courage and resilience of individuals. He was granted the title of People's Artist of the USSR in 1948.
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The Scottish philosopher John Macmurray rejects the cogito outright in order to place action at the center of a philosophical system he entitles the Form of the Personal. "We must reject this, both as standpoint and as method. If this be philosophy, then philosophy is a bubble floating in an atmosphere of unreality."[61] The reliance on thought creates an irreconcilable dualism between thought and action in which the unity of experience is lost, thus dissolving the integrity of our selves, and destroying any connection with reality. In order to formulate a more adequate cogito, Macmurray proposes the substitution of "I do" for "I think," ultimately leading to a belief in God as an agent to whom all persons stand in relation.
斯人《薔薇花事》余光中《井然有序‧不信九閽叫不應》
斯人《薔薇花事》台北：書林，1995
「有誰，獨自擔負起悲傷的重荷／戰慄著全身，把鳴咽化作歌聲／幸福地穿過不朽的空間，像我。」──無題。
《薔薇花事》，是斯人第一本詩集，收錄其二十一年的作品，共三輯，七十六首。概括其風格，
鍾玲斷為「表現澎湃激情及思想層次」~~ 《現代中國謬司》381~87。
余光中形容斯人「由早年的輕愁發為中年的沉鬱」、「能同時表現激情與思想」、「兼融感性與知性」~序斯人《薔薇花事》(收入《井然有序‧不信九閽叫不應》155~86
，則是斯人詩作的寫照。
教學之藝術 協志工業出版的長銷書
譯人周叔昭（1909-1996）
"周叔昭女士，這位來自晚清周馥家族的第四代，她的堂弟是大名鼎鼎的史學家周一良。周叔昭於燕京大學社會系碩士畢業，一九四九年和他的先生嚴景珊來臺，...."
周叔昭譯. 作者：, 吉伯爾.哈艾特原著. 輔助作者：, 嚴景珊.周叔昭譯. 版本：, 初版. 出版項：, 臺北市：協志工業出版，民49[1960]．
2004年7月一版十八刷
 借閱次數 : 23 | 教學之藝術
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内藤湖南汉诗文集、 伯希和与内藤湖南(高田时雄)，富岡鉄斎。桑原武夫。日本文化史研究。禹域鴻爪。 富岡鉄斎Tomioka Tessai (1837 - 1924)
内藤湖南汉诗文集、 伯希和与内藤湖南(高田时雄)，富岡鉄斎。桑原武夫。日本文化史研究。禹域鴻爪。川端康成的 富岡鉄斎收藏品 富岡 鉄斎Tomioka Tessai (1837 - 1924)： 富岡鉄斎(泉屋博古館 1992 Sumitomo Collection ) ：《茶寮名物冊頁》 、 『旧蝦夷風俗図』/ 蝦夷人図屏風、(川端康成收藏)。李欽賢〈富岡鐵齋—日本文人畫的絕響〉1993。賀新年：12月31日は富岡鉄斎の「栄啓期騎牛図」
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虛驚一場
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香燕出第一本美麗島的書，我們一夥從台北到新竹辦慶祝會。首站是我祥美新居，書，數十本，畫架上有素描稿，說起話，淡淡的。那高樓公寓，對我這種到飛利浦荷蘭村作過客的校友特別有感覺……之後走走十八尖山，新竹美食（錦坤兄選餐廳，國精兄請客）。飯後，清華大學的蘇格拉底的猫？書店中開慶祝會（哲學研究所的張旺山教授請下午茶）。會後，記得由蘇兄送祥美回……數年後，另頒給她“翻譯貢獻獎”， 祥美全家光臨漢清講堂（有影片上傳YouTube）......
▶ 21:13其次的blog，是紀念張清吉先生及其事業「新潮文庫」的【漢清書話：從「新潮文庫」說起 The Story of Some Books 】：謹哀悼： 2016年譯藝獎得主梁祥美女士過世 (2022)
https://hctranslations.blogspot.com/2016/10/2016.html
編篡本書的目的並不是要在語言上對原著做完全中實的翻譯，而是想藉作者們偉大豐富的思想，把讀者內在裡美好的思想和情感從每日的閱讀中喚醒。
要凡事查驗，善美的要持守：
21 Prove all things; hold fast that which is good. 22 Abstain from all appearance of evil.
在真摯而深刻的領域，語言的翻譯能力 (將腦內所起的概念翻譯成語言)就太薄弱了。
 | 史懷哲自傳:我的生活和思想 | |
| 史懷哲著 志文出版社有限公司 出版日期:1992/09/01中文書 ＞ 人文 ＞ 哲學。 9折, 優惠價：180元 | ||
 | 紅與黑 |
| 斯湯達爾著 志文出版社有限公司 中文書 ＞ 文學 ＞ 歐美文學。 9折, 優惠價：180元  |
